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dc.contributor.editorBalme, Christopher B. ; Szymanski-Düll, Berenika
dc.date.accessioned2020-08-26T03:58:59Z-
dc.date.available2020-08-26T03:58:59Z-
dc.date.issued2017
dc.identifier.isbn9783319480848
dc.identifier.urihttp://repository.vnu.edu.vn/handle/VNU_123/90103-
dc.description.abstractThis book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries.
dc.format.extent350 p.
dc.language.isoen
dc.publisherPalgrave Macmillan
dc.rights© The Editor(s) (if applicable) and The Author(s) 2017
dc.subjectTheater -- History -- 20th century ; Cold War in literature ; Drama -- 20th century
dc.subject.ddc301 THE 2017
dc.titleTheatre, globalization and the Cold War
dc.typeBook
Appears in Collections:Khoa học xã hội và hành vi


  • 2017_Book_TheatreGlobalizationAndTheCold.pdf
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  • Full metadata record
    DC FieldValueLanguage
    dc.contributor.editorBalme, Christopher B. ; Szymanski-Düll, Berenika
    dc.date.accessioned2020-08-26T03:58:59Z-
    dc.date.available2020-08-26T03:58:59Z-
    dc.date.issued2017
    dc.identifier.isbn9783319480848
    dc.identifier.urihttp://repository.vnu.edu.vn/handle/VNU_123/90103-
    dc.description.abstractThis book examines how the Cold War had a far-reaching impact on theatre by presenting a range of current scholarship on the topic from scholars from a dozen countries. They represent in turn a variety of perspectives, methodologies and theatrical genres, including not only Bertolt Brecht, Jerzy Grotowski and Peter Brook, but also Polish folk-dancing, documentary theatre and opera production. The contributions demonstrate that there was much more at stake and a much larger investment of ideological and economic capital than a simple dichotomy between East versus West or socialism versus capitalism might suggest. Culture, and theatrical culture in particular with its high degree of representational power, was recognized as an important medium in the ideological struggles that characterize this epoch. Most importantly, the volume explores how theatre can be reconceptualized in terms of transnational or even global processes which, it will be argued, were an integral part of Cold War rivalries.
    dc.format.extent350 p.
    dc.language.isoen
    dc.publisherPalgrave Macmillan
    dc.rights© The Editor(s) (if applicable) and The Author(s) 2017
    dc.subjectTheater -- History -- 20th century ; Cold War in literature ; Drama -- 20th century
    dc.subject.ddc301 THE 2017
    dc.titleTheatre, globalization and the Cold War
    dc.typeBook
    Appears in Collections:Khoa học xã hội và hành vi


  • 2017_Book_TheatreGlobalizationAndTheCold.pdf
    • Size : 4,21 MB

    • Format : Adobe PDF

    • View : 
    • Download :